His victims strayed from the standard profile, too: while serial murders most commonly target white women, the victims of the Grim Sleeper were all black – though he did choose prostitutes, often targets for a serial killer. He Chose Victims the Authorities Wouldn’t Care About Franklin was a black male who committed his first known murder at the age of 32. More specifically, over 80 percent of serial killers are white, between the ages of 20 and 30. Upon arrest, Franklin was described by neighbors as “friendly and quiet.” He often worked on cars in his front yard while chatting with passersby – not something that a person who fit the profile of a serial killer would do. He Doesn’t Fit The Profile of a Serial Killer 25 caliber gun in nine attacks – assaulting and strangling more, while keeping photos of his victims as trophies in his home. After shooting Jackson three times in the chest, Franklin went on to use the same. After six years of waiting, three and a half months on trial, and one day of jury deliberation, he was sentenced to death on August 10th, 2016 – exactly 31 years after the death of his first confirmed victim, Debra Jackson, in 1985. It’s possible he’s murdered as many as 25 women – which would make him one of the most prolific American killers – and this year was finally convicted for the deaths of nine women and a teenage girl. Weekly in 2008 after a victim was linked to a string of murders that occurred in the 1980s. sat silent and emotionless in a Los Angeles courtroom for over six years, never uttering a word in his own defense, save for briefly mouthing, “I’ve never seen you before in my life,” to Vivian Williams, the sister of victim Georgia Mae Thomas.įranklin is better known as his serial-murdering alias, the Grim Sleeper – a name coined by L.A. One installation by artist Dread Scott, “Historic Corrections,” juxtaposes images of an early 20th century lynching, young black and Latino men and an electric chair.Lonnie Franklin Jr. “Capital Art,” on view through March 31, features video, photos, paintings and installations from about 40 artists, including Robbie Conal, Salomon Huerta and John Outerbridge. 264-4678) has organized a new exhibit about police brutality, the prison system and the death penalty. The always adventuresome Track 16 Gallery (Bergamot Station, 2525 Michigan Ave., Building C1, Santa Monica. Most critics find “Hannibal” more gory but less terrifying than “Silence.” The Times’ Kenneth Turan said it “takes a magisterial approach to the same material, never allowing itself to get down and dirty enough to be truly scary.” Variety’s Todd McCarthy liked it a bit more, writing that Hopkins hasn’t lost a step in “continuing the seductively diabolical portrayal that won him an Oscar 10 years ago.” Restless, he comes out of “retirement” for a game of cat-and-mouse with FBI agent Clarice Starling (Julianne Moore). Wonder what serial killer Hannibal “The Cannibal” Lecter (Anthony Hopkins) has been up to since escaping the grasp of the FBI? Living the high life in Italy, it seems. Ten years after “The Silence of the Lambs” scared moviegoers half to death, the sequel, “Hannibal” (rated R for strong, gruesome violence) is in theaters. If that’s too much for you, don’t enter unless you want to help break that record in February. To make sure visitors know what they’re in for, the museum has a test photo near the entrance. The museum set a record last month: nine people passed out while touring its exhibits. Some things in the museum are very graphic, Shultz said, including photographs of murder scenes and deadly accidents, as well as the stained T-shirt removed from one of the convicts burned in Florida’s infamous electric chair. The current special exhibit is about the life and suicide (by hanging) of Rozz Williams, the founder of the band Christian Death, which was at the forefront of the goth music scene. Among the items: a re-creation-with original clothes and veils-of 1997 Heaven’s Gate suicides, coffins, body bags, mortician’s tools and paintings by serial killers. Now they have more than 2,000 square feet for their macabre collection. Healy moved their museum to Hollywood Boulevard from a mortuary in San Diego in January 2000, after looking for a bigger space and bigger audience. 466-8011) has survived its first year in Los Angeles.įounders Cathee Shultz and J.D. The Museum of Death (6340 Hollywood Blvd., Hollywood.
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